It follows three protagonists: a monk, a photographer who gets a new cornea, and a stockbroker. The monk's segment is pure Hindiyogi gold. He debates Maya (illusion) versus physical reality. He argues that the world is a projection of the mind—a frighteningly accurate depiction of the Yoga Sutras of Patanjali .
This is a film about the Kleshas (afflictions of the soul): Avidya (ignorance), Asmita (ego), Raga (attachment to praise), Dvesha (hatred for the rival), and Abhinivesha (fear of death/losing fame).
A boy, Rohan, is thrown into a toxic, hyper-masculine household. His father represents the Rajas Guna (passion and domination). To survive, Rohan must practice Pratyahara (withdrawal of the senses). He detaches from the noise, the abuse, and the expectations.
It follows three protagonists: a monk, a photographer who gets a new cornea, and a stockbroker. The monk's segment is pure Hindiyogi gold. He debates Maya (illusion) versus physical reality. He argues that the world is a projection of the mind—a frighteningly accurate depiction of the Yoga Sutras of Patanjali .
This is a film about the Kleshas (afflictions of the soul): Avidya (ignorance), Asmita (ego), Raga (attachment to praise), Dvesha (hatred for the rival), and Abhinivesha (fear of death/losing fame). hindiyogi movies
A boy, Rohan, is thrown into a toxic, hyper-masculine household. His father represents the Rajas Guna (passion and domination). To survive, Rohan must practice Pratyahara (withdrawal of the senses). He detaches from the noise, the abuse, and the expectations. It follows three protagonists: a monk, a photographer